Showing posts with label Henry V. Show all posts
Showing posts with label Henry V. Show all posts

Thursday, 3 November 2011

Back to the Future...?

Rob Stanson, our first 'Henry V - Lion of England'

It's a bit depressing realising that I'm going back 20 years. Next year it will be 20 years since I presented 'Teechers' and 'Henry V - Lion of England' at the mac in Birmingham. I booked three nights but didn't have the guts to put my Henry on for all three nights so my mate directed the Godber classic. And now I'm doing it again, but this time in London.

Us, at the launch of
A Ghost of A Chance.
It has occurred to me though that every time I've written something, things happened. 'Henry' has toured and went the the USA. A Ghost of A Chance not only attracted some stellar creatives, it also won the Guinness Award through the National Theatre. PALS became our local hit, going from nothing to sell out runs in the space of a few weeks. And this time I'm producing in London, arguably the world capital of the arts.

Ed Morris, the latest
 Henry V - Lion  of England.
Contemplating my return to Pub Theatre!
So maybe its not too depressing going back a bit. John Lennon said about the Beatles reforming, "you can't reheat a soufflé." No you can't John, but maybe you can cook another one and try and make it tastier. So 2012 will be a big year and nothing to do with the Olympics, because I'm gonna write me next new play and see what happens. I'm shall try a similar approach to PALS. PALS was in my head for about five years and this new one, Ron and Juliet, has been around for a similar time. It's due in July. And talking of the Olympics, it has a five-a-side footy match in the second half... Game On!

Friday, 13 November 2009

Lest We Forget?

It's been an unusually domestic week for me. And with remembrance day, British troops in Afghanistan and the Sun newspaper giving Gordon Brown a bad time over his handwriting, one that has given me pause for thought too.

It was a big week on the domestic front because my Dad, at 86, had never been to London before. He apparently drove near it in the 1940's, but that was in the back of an army truck. So he and my sister came down for a few days. I don't think I ever spend enough time with my family. Is it just me or do we all feel like that? I am so focused on trying to create art and avoid arts oft nearby regular bedfellow - grinding poverty! So it was nice when they came down, and as ever Bex was the perfect hostess, worrying over every detail.

Dad actually passed near London in the 1940's to jump on a plane for Operation Market Garden at Arnhem. Dad was a paratrooper, a 'Red Devil' and was part of the cock up that marked a bridge too far. He was wounded and spent a long time as a P.O.W. It's just as well he was captured when he was. I checked his company details on the 'tinterweb and the very day of the morning of his capture most of his comrades were wiped out by a machine gun nest. Incredible, but true.
My Dad, above, on the Thames embankment for the first time, aged 86. Note cap in hand.


We did the usual thing, showing Dad and Sis around darkest Chiswick and taking them to our favourite haunts. I'd met them both at Euston and we took the Northern and District Lines to get home. Now Dad is sharp and full of humour and although his hearing isn't too good (and he stubbornly refuses to wear his hearing aid) and he's not as lithe as he used to be, he's nobodies fool. So it was strange to see how strange the everyday of London was to him. He was fascinated by the electronic signs inside the tube carriages. He thought they were a great idea and seemed transfixed by them all the way back to Stamford Brook. He couldn't understand the need for all the different tube lines.
"And what if you're colour blind with all those colours on that train map?" he commented. He was shocked by how violently the turnstile doors slapped open and shut. I think he may have a point there.

But what really made me think was us walking from Westminster to Embankment pier past the RAF war memorial. I was slightly ahead of Dad looking for my camera. When I looked back he was looking up at the memorial and had his flat cap in his hand.

"You all right Dad?" I asked.

"Just thought I'd say hello to the boys," he said and nodded at the memorial. "They looked after us as much as they could."

I took the pic, then he doffed his cap to the memorial, put it on his head and off we went.

I asked him about it later. Dad was born into extreme poverty, the youngest of eleven kids. His mom, my Grandmother, died when Dad was seven. My Grandfather, Paddy, was an Irish labourer from Co Mayo in the west of Ireland. He was a big drinker (so THAT'S were I get it from... not my fault then!) who would often use his belt on the kids when he'd had a bit too much, which was most nights. I have some sympathy. Not with beating the kids, but the pressure must have been immense. There were 12 of them in two rooms in an up and down house in Leeds and often they went hungry too. When Paddy sobered up later in life he would often tell Dad the army was a good way out. Three square meals a day was a lot better than the everyday life they enjoyed. So aged 16 Dad and a mate from Leeds lied about their ages and signed up. Not the best of times to join the army. As Paddy said,

"Join the army, yes, but not when there's a bloody war on!"

Dad was grateful to the airman who took care to give them a safe landing at Arnhem. But it transpired later that there were other people looking out for him too. Dad's C.O. never acknowledged Dad's age. But the day they got captured, the day dad's platoon was massacred, the C.O. got his company up in the early morning, and moved off quietly, leaving Dad and his young chum asleep. When they woke up, the older guys had gone. The German officer who first captured them looked set to turn violent until he saw their age. In perfect English he said to Dad, "You are too young to die in this war."

And it got me to thinking about the current engagements. The loss of life is hugely regrettable and tragic and indeed many of my cousins in Leeds were in the forces, but was WW2 the last TRULY justifiable war? Can the 9/11 tragedy be compared to the invasion of Poland by Hitler? Is it right the Sun newspaper seems to be making an attempt to discredit the P.M. by using and directing the anger of a grieving mother? Isn't that just a bit too much 21st century?

Something don't smell right, kids. I feel uncomfortable. I suppose it's always us, the great unwashed, the working class who get stuffed by other peoples principles; it's always us that ends up galloping into the cannons or marching into the hail of shot. But is it right, nowadays? I dunno. This time last year, during a performance of Henry V - Lion of England, in Brighton I had actor Ed Morris place a poppy in his coat at the end of the show which caused a palpable gasp from the audience. (I won't give too much away about that. I want you to see the show!) But what do you think?

I'm just very grateful to Dad's C.O. and that unnamed German officer in Holland. Or I almost certainly wouldn't be here to ask these questions.



Sunday, 16 November 2008

Come the revolution, comrade...

I've been watching, as I guess we all have, the programmes and events surrounding the 90th anniversary of the end of the First World War. It's all been very moving, but I can't help but wonder at the futility of it all, how it's always the little man who suffers. Left to their own devices, the soldiers on the ground managed to arrange a football match. Apparently the Germans won. Again.

This time last year we presented my Henry V - Lion of England at Brighton. When I was adapting Shakespeare's story in 1992, about an invasion of France, I was listening to the news about the war in Bosnia. It never ends, does it. That's why last year, at Brighton, I had Ed, our Henry actor, pin a poppy on his costume, as he gives the final lines. "... think on our tale, look at the world and muse, How little, little mankind has grown, and how much we still all have to lose." There was a palpable gasp from the audience.

And talking of a world fit for heroes, how come I can't find an NHS dentist in West London? I thought we had a Labour government. Come on politicians, this isn't good enough. You can lead a country to war, but can't arrange for me to have a loose crown fixed without it costing me a fortune.A hero - Ed Morris in Henry V - Lion of England. By... er... me.

Tuesday, 20 November 2007

Henry V - Lion of England. The Movie! (sort of...)



Hoorah! Me first video! This is very rough and is my first attempt with a little mini DV camera I got back in August for my birthday. Spot the not so deliberate mistake in the opening caption. November 2008? I think that should read 2007.

I've also found an editing programme on this computer called ULead, and as it's free, I've tried to edit with that. If you know any other or better free editing software, please let me know.

I've always been taken with the drama and power of the visual image and, indeed, wrote a storyboard for a film version of Henry V - Lion of England back in 1993. In 1997 (flippin' eck, TEN years ago!) I made a short film for ITV's First Cuts called 'Boy, Girl, Boy, Bike?' I may try and get it up on here, although it was made in the days before Digital media and I think I only have a VHS copy, so I'm not sure how the technology works. It's about 12 minutes long and is a sweet rites of passage tale with the lovely kids who were involved in my production, 'A Ghost of A Chance'.

This little film looks backstage at Brighton and is, I hope, a bit of a teaser for our Spring Tour, which is going ahead despite funding problems. Myself and Deborah, our part-time administrator, are going to pitch a bank for working capital, given the excellent tour Penny, the booker, has arranged for the Spring. It's a bit more urgent for me than anyone else, as my house is on the line! But somehow I've managed to survive this long and my plans for the next 3 years will mean Maverick will be in a very strong position, if I can just get through the next three months...!

Friday, 7 September 2007

Pass The Jellied Eels, guv'nor...!


After 50 years in Birmingham, I am now a Londoner. Until May 08 anyway. I'm now Resident Director for Rutgers University at Shakespeare’s Globe on the South Bank. What a place! And what a great bunch of people. So far, anyway!

This is a picture of my new office. Tales From My Riverbank will start soon enough, but the last few months have been 12 to 14 hour days and although the Maverick Theatre Henry V tour is calming down, nothing else is!


Better than boredom though, eh?


Oh, and if you're thinking of burgling my house, don't bother. My nephew, 'Killer' Matt is house sitting. He'd LOVE someone to try and break in. Not sure where his genes come from, but they're occasionally useful to point at bad people!

Wednesday, 1 August 2007

Blimey, look at the time!

Its August already! I've not written anything on here for nearly a month - which is the opposite of what I wanted to do. I wanted to relate my journey, as t'were! But it's indicative of how hectic the journey has become that I've not really had time to write anything. Wanna know what my day consists of? Check out this interview by freelance writer Angela Merideth. But I will tell you, as I mentioned on the Maverick Theatre blog, that I feel a bit like that bloke in the Magnificent Seven. First there was me and the play. Then I found Ed, our actor. That makes two of us. Now a Stage Manager. Three. And possibly a Deputy Stage Manager. Four. Tom is going to film the process. Five. John will do the lights. Six. And I'm nearly ready to jump on the Henry Hoss and ride triumphantly to a theatre near you soon!

We've finished the first 'chunk' of rehearsals. Ed the actor is now off for a month holidaying and filming. We all get together again in early September. So I should have more time to write. Hoorah for us all!

Tuesday, 6 March 2007

A Brilliant Response, Michael Palin.

I've had a great response this week to the e-mail I sent out announcing this Blog.

Our e-mail list is really small, but not only did I have over half a dozen messages of good will, but also an e-mail from a brilliant Los Angeles based producer, Gerry, about possible work in South Africa. Then the Waterside Theatre in Stratford-upon-Avon phoned and said they'd heard about us and would we like to go back there this autumn, bless 'em. Then another e-mail about a potential for eight months work at the fabulous Shakespeare's Globe. And Penny (Tour Booker extraordinaire) phones and says that just a quick conversation with a London venue was enough to interest them in at least a couple of nights of Henry V - Lion of England. How fab is all that!

I'm so elated I spend some time with my new friend Michael Palin. Or at least his diaries, which I am currently reading and using as a cleverly written self-help aid on how to be a self-employed artist working from home. Without, of course, Mikey's success. Or talent. Or family. Or Oxbridge education. Or money.

Then the thought of money brings me rather crashing to earth. I've finished my first attempt at a business plan and circulated it to (read Foisted Upon) a few trustworthy business friends for comment. But I realise that I've used up nearly all my working capital. I'm living on the money earmarked for a new kitchen back when times were fiscally easier. Better do something about that, or the mortgage will suffer and this suddenly popular Peddler of Bill Shaky will be receiving all these marvellous offers in a tent on Billesley Common!

I casually and perhaps rather heartlessly throw Michael Palin to one side, poor love.

Friday, 23 February 2007

Weekly going ons!

I’ve joined an exclusive club this week. ‘Which Club’, I hear you ask. ‘Groucho’s? Soho House? Blacks?’

Better than all the above. Birmingham Snooker Club. Being in the media means membership cost me £2.50. For a whole year. 2 pints and a bag of crisps for a fiver. And, of course, you can play snooker or pool if you want to. Which I won’t. And why is this club better than all the above? Simple. 1 – it’s in Birmingham, which is where I am and – 2- THE BAR NEVER CLOSES. No, really. It’s open 24/7. It’s not that I’m a boozer, but most people in theatre don’t finish work till 10.30pm and in spite of the so called 24 hour drinking, most pubs still shut at 11pm. Imagine you leave the office or your shop or factory at 5.30pm and say to a mate “fancy a pint?” and then all the pubs shut at 6pm. Not very convenient.

Also this week, me ol’ mate John Slater knocked up a touring brochure for me play Henry V – Lion of England which looks like will now tour the UK in the Autumn. And I found a brilliant printer in Erdington who’s going to print em up!

Still haven’t finished the business plan for the Brave New Maverick. It’s like swimming through treacle! Better be off now. I’ve a MySpace site to check out! So web.2, loves!

P.S. The club is not really called the Birmingham snooker club. I thought I should protect its identity!

Monday, 12 February 2007

In the Beginning...


... there was ME. This is my pic. Looking old and, yes, with a glass of red wine. And some 30 years after I came along, there was an idea for a theatre company. T'was 1992 and I'd been doing all sorts. Me and a mate Rob Vomit - the only actor I knew - did a one man version of Henry V wot I wrote. Called Henry V - Lion of England, we performed at the mac in Brum for 1 night. Another mate, Robb Williams, wrote an atmospheric soundtrack. Cost me fifty quid to hire the venue and I asked me family and mates along. Also present were Jasper Carrott's then managers and they took us to the Edinburgh Fringe which inspired me to start a company in Birmingham that would be true to the spirit of the fringe and be truly accessible. So we started Maverick at the Billesley Pub in South Birmingham on the edge of a council estate where, coincidentally, I was born. It was hard, artistically and financially and our last production was in 2003. Now, in 2007, we're kicking off again. Why? Mmm. Good question. NEXT TIME. Why I hate Michael Palin.