Showing posts with label Maverick. Show all posts
Showing posts with label Maverick. Show all posts

Thursday, 5 February 2015

That's (Animal Farm) Showbiz!

Bleak (Animal Farm rights) House.
Bummer!  We had the rights to perform George Orwell's Animal Farm for all of 8 weeks, till the 'principle agent' changed their mind and decided to cancel our license.  It probably means a commercial theatre producer has decided to try a production. Which is good for us fans of Orwell, but not so good for WE fans of Orwell.  

A bit like when we performed 'Under Milk Wood' in the Wheatsheaf in Fitzrovia, London, the pub where Dylan Thomas met his wife.  It was commercially stupid to mount such a large production in such a small room, but it was the 60th anniversary of Dylan's death. And it was the pub where he met... oh, I've mentioned that.  It was about the sprit of the production, the emotion of the moment.  And not about the money.  I'm not sure our 9 shows in a pub would have rocked the commercial rights holder, but that's Animal Farm showbiz.

And it means our next full theatre show will be the Maverick Theatre Company's 21st Birthday show - Henry V - Lion of England, in April.  And there's no problems with the rights for that.  I wrote it myself!  With a bit of help from Shakespeare, of course.  I might consider cancelling the licence.  But I doubt it...

Monday, 19 September 2011

Any Maverick ideas?

A mad moment in the pub?
I'm looking for hard evidence to support my assumption that Maverick's productions in pubs and community spaces will attract new audiences to theatre.

This assumption is actually borne out by our work at the Billesley Pub in Birmingham during the 1990's and at Birmingham Library Theatre during the early 2000's. We have evidence to show that Maverick attracted non-theatre goers through our programme of contemporary classics, ticket-pricing and a robust marketing strategy aimed squarely at the council estates surrounding our venue. Basic market research in the form of printed questionnaires left on seats in the pub showed our audience to be generally non-theatre goers who were younger, more female and less well-off when compared to national statistics for regular theatre attenders.

I want to return to that model and roll the concept out nationally. A touring circuit that will address my belief that there are substantial proportions of the population who do not feel theatre is for them. My experience, both personal and professional, is that if the proposition is right, a new, more inclusive audience can be developed. The benefits are huge, not just for the new attenders, but to whole communities, other theatres, professional practitioners and society in general.

Unlike the work of the legendary Joan Litttlewood with her Theatre Workshop at Stratford East, this will be a touring project. It is very ambitious.

And it is obviously going to cost money and will be an almighty struggle, so I need to build the best possible case to present to funding bodies and commercial organisations whose help will be crucial to realise the project.

So, have you any comments, ideas, references or research that might help me? Perhaps you were one of our new theatre attenders? Or are there reasons why you perhaps have a problem with going to the theatre? How important is 'the event'?

Any contributions, good, bad, long, short or indifferent will be very welcome and annonymous. Did you perhaps attend any Maverick shows in Birmingham or on tour?

I hope to make a case for the Arts Council to award a small grant to allow the research to move forward and I shall contact you for permission if I would like to  use your comments. Please email me at mavericktheatre.co.uk or comment below.

Thanks very much for your help.  Here we go again... maybe!

And if you are looking for information about the new HOLLYOAKS actress auditions, I'll put details here tomorrow. Ta.

Wednesday, 15 October 2008

Posh Innit!


Look! A new Maverick logo! The first one designed by a pro, Dave Walsh Design, of Birmingham.

The original logo was a mix of me, John Slater, Robb Williams and whatever we could get a computer to print for free. Remember the days, computer fans, before the days of WYSIWYG? (Ask if you want to know more. There's a comment section on this blog thang.) x